Protests, riots and someone who hides under the flame that scorches the possibility of improving race relations in America during the Civil Rights era. Jacqueline Sadie Thompson is a detective in a coloured precinct in New York. Lieutenant Reynolds assigns her and Johnson murder cases which occurred during protests. They visit the scene. Someone tosses a Molotov cocktail where they stand. The building collapses. Thompson’s British husband, William rescues her. Her partner suffers a coma. Johnson awakens. He recalls the disturbing notions his wife had concerning racial identity. Thompson faints at the station house and is put on leave. Her husband cares for her. Anderson, another detective, furthers their investigations. Johnson convinces one of his cousins to retrieve a book. The detective is aloof and does not disclose to anyone what he saw before the explosion. Jacqueline deduces a portion of it. Jacqueline is determined to solve the case. Her husband is determined to protect her. Who do they both need protection from?
Mild note: The protagonist and her husband share intimate moments-often. Although there is only mention of legs, arms, embraces and kisses, the remaining descriptions I use allegory and references to nature to describe their intimacy. This may be considered mild to moderately “Steamy” depending on the potential reader’s inclination.
Moderate to severe discretion (abridged): This book is a work of fiction. However, the author intended to create characters and settings historically accurate to the era it takes place in, the racially tumultuous 1960s. Certain terms used as racial descriptions now considered archaic, outdated or even offensive are used to reflect the past usage by both black and white Americans of that era.
Additional note: A portion of the main plot revolves a pivotal scene in which a few people are injured due to an explosion which destroys a building. This notice is to advise those who may suffer from post-traumatic stress disorder (“PTSD”) concerning traumatic events based the recollection of certain sounds or the imagery which may encompass them both.
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Patricia M. Muhammad is an American fiction author of crossover contemporary romance/science fiction, science fiction/fantasy, mystery and historical romance genres. She has currently written 20 novels. She is currently working on her next book manuscript. Before penning fiction, Patricia emerged as an international legal history scholar and academic author, focusing on human rights, international law and restorative justice. She has currently written and published a combination of 23 research papers and academic book reviews in these subject areas. Her work has appeared in the American University International Law Review, Columbia Journal of Race and Law, the Willamette Journal of International Law and Public Policy as well as the New York History Journal. Her non-fiction writing has been cited dozens of times in various respectable academic journals.